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Ask.com Enlists Ask A Ninja For Brand Campaign

Late Thursday night, video-podcaster (and FM partner) Ask A Ninja rolled out the first episode in a series of nine that will be sponsored by Ask.com as part of their recent re-branding campaign. At the end of each episode, the Ninja invites his viewers to go to Ask.com (by clicking on an Ask.com banner alongside the video window, or by going straight to Ask.com) and to enter a made-up word. The Ninja tells viewers who do this that they’ll get either the definition of “ninjuice” (via a custom video skit by the Ninja), or — so threatens the Ninja — a sword in the head.

Ninjuice
The campaign is smart at one (very simple) level in that it ties together banner ads with integrated, co-branded messages in the video programming. At another level, it’s even smarter in that the Ninja (the featured act) rather than Ask.com (the marketer) makes the call-to-action.

Ninjuice on AskThe data from the campaign’s first 20 hours are astounding. One out of every twelve viewers of the Ninja’s “Ninja Sayings” video skit went to Ask.com, queried “ninjuice” and watched the bonus video that the Ninja produced especially for those “certified search ninjas” who completed the assignment. An 8.3% rate of conversion. For comparison, imagine a conventional banner that delivers a terrific click-through rate, say 0.4%. Then assume a whopping 25% of those clickers actually test-drive the product. Even that record-breaking performance would add up to only a 0.1% rate of conversion. The team effort by Ask.com and Ask A Ninja did 83 TIMES better.

Digital marketing has become a martial art!

This concept was a collaboration of FM’s James Gross and Ask’s Sean X Cummings.

More coverage at GigaOM’s NewTeeVee, Clickz (twice) and AdRants.

Update 5/28/07: Ninjuice has made its way to Wikipedia.

YouTube Stars Have Doubts About Rev Share Program

Several YouTube super stars (Ze Frank, HappySlip) expressed doubts about YouTube’s recently announced program to share revenue with top content creators. Exclusivity clauses, the loss of merchandise cross-selling opportunities, and sharing a big chunk of the ad dollars are the gripes. From Business Week:

“the ad revenue these sites share often can’t compare with the amount creators could get if they built their own sites into destinations complete with advertising and merchandise. Gambito [of HappySlip] wouldn’t disclose the financial details of the YouTube deal, which is in a testing phase and requires some of her new videos to appear exclusively for two weeks on the site. Revver evenly splits revenue it gets from clicks on ads appended to videos. Gambito’s own site sells t-shirts, bags, and other merchandise. She hopes eventually to sell ads as well.”

NBC No Longer Accepting :30 Pre-Rolls

As reported in AdAge, NBC is done with 30-second pre-roll ads prior to their online video clips. Overdue, wouldn’t you say??

Ninja Wins Best Actor at Webbys

Congrats, Ninja! That’s nice company to keep — David Bowie, Meg Whitman, Chad Hurley and Steve Chen, and LonelyGirl15. The Webby Special Achievement Awards.

Brightcove’s Jeremy Allaire On Future Models for Video Advertising

Brightcove’s founder and CEO, speaking at MediaPost’s “Outfront” conference in New York last week, adds to the chorus of online video veterans forecasting the death of the :15 pre-stream ads. Instead he proposes a medley of models — shorter pre-stream units, mid-stream commericals, branded content and viral distribution strategies. My favorite part, of course, is when he gives props to the DuPont videos starring Amanda Congdon that were launched on FM sites!

Advertising must be bound to content in this world, Allaire said, and because consumers are more likely to be ’snacking’ — or clicking around and sampling multiple videos to see which they want to sit through — the existing standard 15-second pre-roll with banner is a complete turnoff, as it forces repeated viewing with a resulting negative effect.…”

Branded marketing content can also be syndicated, Allaire noted. He pointed to DuPont’s program created with Denuo in which a blogger was hired to write science stories. Working with Federated Media, this high-quality content was embedded in IAB standard units and placed within science-related sites.

More on the DuPont videos.

Mobile TV Not Yet Big

That according to Comscore (Media Week):

“More than half of Internet users who possess mobile phones are not interested in, are unaware of, or have no interest in Mobile TV, according to a new survey conducted by comScore, illustrating just how far the medium has to go before it becomes mainstream.”

Web 2.0 Expo: Video 2.0 Leaders on What’s Next

Liz Gannes of GigaOM and NewTeeVee moderated a panel of leading execs from the digital video scene: Jay Adelson, CEO of Revision 3 (and Digg); Erik Hachenburg, CEO of Metacafe; Howard Lindzon of Wall Strip; and Marc Siry of NBC Universal’s NBBC unit. Some interesting nuggets:

Revision 3’s Diggnation has more viewers watching the program on TVs via set-top boxes than viewers who watch on a computer. (Diggnation is also watched offline as a podcast more than it is online, but that’s less surprising.)

Metacafe pays a $5 CPM to content producers whose videos attract more than 20,000 views. Erik says that this compensation program acts as a filter that delivers “cleaner” content than the YouTube approach. In other words, more original content and less content re-purposed or stolen from other IP producers. The logic is, to collect your check you need to supply accurate identifying data about yourself, and when you do that you’re less likely to upload someone else’s content. Smart idea! But it may leave Metacafe open to scams like those that plagued Epinions back in 2000-2001, where some members gamed the pay-for-performance system by building bots to vote for their own reviews, or today’s click fraud schemes that manipulate Google’s AdSense program.

The “DJ read” sponsorship format a la Howard Stern or Paul Harvey will replace agency-supplied creative. I agree, up to a point. For large-reach video programs (like Diggnation or NBC’s SNL or Ask A Ninja), a sponsor can take the time to work with that program’s producer on the sponsor segment, the “spot” that the show’s host creates based on the sponsor’s guidance. But imagine 25,000 individual video producers using YouTube or Metacafe as a distribution platform. How does a sponsor get a live-read commercial into each of those videos? And, in the event a sponsor does, how does it review all 25,000 individual “spots” to make sure there’s no funny business, no stumbling over its tag line, no mispronounced product names?

The most important point made by several on the panel: The future of video is about programming. Sure, someone still needs to create original content, but viewers won’t be tuning in because that media outlet created the content — they’ll tune in if that media outlet is the best at assembling, aggregating, annotating, organizing and filtering the content they distribute. If they happened to create the content themselves, fine, but their viewers are unlikely to care. I couldn’t agree more. If you think about it, isn’t that process — content programming — that’s always determined the channels we watch? If CNN, Fox, NBC, ABC and CBS all roll the same Baghdad footage originally filmed by Al Jezeera, I tune into the network that best helps me interpret it.

Imus Loses P&G, Amex, GM and Staples Money

I’m glad to see this. Being offensive — even in the name of humor or whatever else — is becoming more expensive. At least four blue-chip advertisers have pulled the plug on the “Imus in the Morning” sponsorships. A P&G spokesperson told AdAge:

“This particular venue where our ad appeared was offensive to our target audience. And so that’s not acceptable to us….”

Related: Advertisers pull ads off Ann Coulter’s site (Link).

Dupont’s “Video Blog Ads” With Amanda Congdon

Jeff Jarvis helped coordinate a creative online ad program for Dupont: Short videos profiling Dupont technologies like Kevlar, starring the original host of Rocketboom, Amanda Congdon (BuzzMachine). In an interview with Clickz, Dupont’s Gary Spangler is pleased with the results.

“‘We were looking for a hostess or host that would be interesting to the viewers,’ said Spangler. ‘I was familiar with Rocketboom and knew Amanda has … online viewership and is already skilled in video blogging. Her experience and acceptance by a large audience around her delivery and appeal led us to think she was a clear choice for delivering these messages.’”

Dupont is running the spots on several FM sites (thanks, Dupont and Starcom!): Digg, Boing Boing, the Athanasius Kircher Society, Left Lane News and Boompa.

Shortage of Inventory, of Quality, or Just Pairing of the Two?

Last week’s TNS report (see Clickz) on 2006 ad spending put numbers to an obvious trend: Online advertising is the growth leader (up 17.3%), while print is mostly down and TV (minus Spanish-language) is just barely above flat.

Within online, the report also surfaced a less obvious trend, that large marketers are moving dollars to online display advertising more slowly than smaller-budget advertisers. On average, marketers in 2006 allocated 6.5% of their budgets to online while blue chip brands put only 4% against Internet ads. TNS Senior VP of Research Jon Swallen chalked up the slower adoption by the big spenders to an availability problem: “it’s hard to find inventory to spend more on.”

Huh?! Not enough online inventory? Even at top brands like Yahoo, certain large swaths of the site (Mail, My Yahoo, Groups, etc.) run house ads and cut-rate remnant deals. Ad networks don’t have anywhere near 100% fill rates for participating publishers, and the most efficient ad network of all — Google’s AdSense program — serves PSAs a fair amount of the time.

Market Inefficiency v. Lack of Inventory

Clearly there’s not an inventory problem online, but instead a quality inventory problem. There is limited inventory adjacent to high-quality content, and — maybe this is what Swallen meant — it’s still very hard to find it and sponsor it. There’s a market inefficiency problem that the ad networks and Google aren’t yet solving. The vertical publishers (think CNET’s tech sites or Jupiter Media or Nickelodeon Online) have quality, but not enough of it; the ad networks and Google have scale but can’t yet guarantee quality.

The Story of Google’s Effective Ad Rates

The two sides of Google’s money machine illustrate the point. Google takes a purely rational approach to advertising: Advertisers in a competitive-bidding situation will pay higher and higher cost-per-click rates until the costs approach the immediate revenues generated by that click. The average CPC paid by Google advertisers is around $0.50. When people use Google’s engine to search for something specific, 17% of them will click on one of these advertisers’ ads (see ChasNote). The algorithm that matches keyword advertisers with keywords entered into a search box works great for all involved. Users of Google’s search engine are seeing highly relevant ads (a perfect match 17% of the time!); marketers aren’t paying a nickel more than the value they get from each click; and Google makes about $68 for every thousand search-results pages they serve up.

But Google’s other system, the AdSense publisher network, tries to match those same key-word advertisers with prospective clickers on other sites based on content rather than key-words entered into a search box, and doesn’t work as well. That 17% click-through rate on Google’s own pages, a proxy for how well the ad-server logic delivers ads to people who want to click on those ads, drops to something closer to 1% on non-Google sites. (Consumer mindset, searching versus reading, is another factor.) Direct-response marketers may or may not care about the lower click-through rate: They’re only paying for the completed click.

Brand Marketers Demand Scale, Quality and Safety

Brand marketers, however, are paying for more than click-through performance alone, and they hold media partners to different standards. Even infrequent snafus that put their brand — and the implied endorsement by their brand — alongside homophobic rants by Ann Coulter (ask Verizon or Washington Mutual, see CNN) or on sites that promote illegal behavior (ask Microsoft or Wal-Mart, see Variety) become unacceptable PR disasters. Brand advertisers need a combination of scale, quality and safety (more on this from Battelle, see Searchblog), and the existing artificial intelligence solutions aren’t there yet. The bots get better every day, but to accelerate the migration of brand dollars to the Internet, we still need human insight to facilitate the process.